25 Jun Sound Reproduction: Loudspeakers and Rooms By Floyd E. Toole. Focal Press ( Oxford, England, UK, , footnote 1), Sound Reproduction. Loudspeakers and Rooms. Floyd E. Toole. AMSTERDAM • BOSTON • HEIDELBERG • LONDON. NEW YORK • OXFORD • PARIS • SAN. 10 Apr Sound Reproduction: The Acoustics and Psychoacoustics of Loudspeakers and Rooms is a book by renowned acoustic scientist Dr. Floyd.

Author: Arashinos Mikabei
Country: Saint Kitts and Nevis
Language: English (Spanish)
Genre: Career
Published (Last): 14 January 2004
Pages: 493
PDF File Size: 2.21 Mb
ePub File Size: 13.53 Mb
ISBN: 671-7-71043-285-3
Downloads: 45199
Price: Free* [*Free Regsitration Required]
Uploader: Maudal

There he created and directed the Harman Research and Development Group, a central resource for technology development and subjective measurements for the Harman International companies, most especially the divisions producing the Infinity, JBL, and Revel loudspeakers.

Select all Front Matter. This included computerized training for listeners, double-blind protocols, and Harman’s amazing mechanized listening room, in which pairs of speakers sound reproduction floyd toole rapidly moved into identical positions behind acoustically transparent screens, to eliminate room bias and associated listener cues.

Recordings of July Recordings of May sound reproduction floyd toole Petrouchka re;roduction, Circus Polka.

AES New York » Presenters: Floyd Toole

Moon by Simaudio monoblock power amplifier. AudioQuest, Triode Wire Labs. About the book Publisher’s Note: This is very helpful in terms of practical guidance for speaker placement, particularly of subwoofers, and for the physical and electronic correction of the room acoustic.


Log in or register to post comments. Recording of October Recording of July The former, based on blind tests tople trained listeners, grew from a seminal experience inwhen Toole sound reproduction floyd toole a few colleagues, as part of an effort to select a reference speaker for studies of sound localization and imaging, subjected themselves to a subjective listening test of four respected speakers.

Parts repriduction and 3 are an in-depth consideration of acoustics and psychoacoustics. It’s a Vinyl World After All. Paperback, pages, ISBN reprouction At the heart of these chapters is his historic work on the subjective and objective evaluation of loudspeaker performance. Toole concludes with guidelines for the selection of sound reproduction floyd toole equipment and for sound reproduction floyd toole the setup of a practical listening room, based on his insights into auditory psychophysics and the acoustics of speakers and rooms.

Sound Reproduction Loudspeakers and Rooms. Search in this book.

Book description Floyd Toole, sound reproduction floyd toole leading expert in the field of sound reproduction, explains how to design the best possible listening experience for recording control rooms and home entertainment s Unsurprisingly, although these measurement parameters were chosen toope predict subjective enjoyment, they also make a rather good case for objective linearity.


Tekton Design Impact Monitor loudspeaker. Related Latest Galleries Recommended.

Sound Reproduction | ScienceDirect

Play It Again, Siri. Loudspeakers fooyd Rooms is a relatively nontechnical compendium of Toole’s work on small-room acoustics, loudspeakers, and listening. Export citations Close Select chapters to export citations.

Create new account Request new password. Recording of February Recording of April Toole, is one of the most influential scientists in modern audio.

AES New York 2013 Presenter or Author

Aliasing, B-Splines, Centers of Gravity. Reading this book will give you an immense appreciation for Floyd E.

During his tenure at the NRC he oversaw a facility for acoustical research and sound reproduction floyd toole that has nurtured the development of many of Sound reproduction floyd toole most successful loudspeaker companies, including Axiom, Energy, Mirage, Paradigm, and PSB.

For more information, visit the cookies page. Understanding the Principles” comprises nine chapters analyzing the basic principles of acoustics in live musical performances and in domestic listening spund, and, most important, in what ways those two listening environments differ.