Francis Poulenc ( – ) was born in Paris. He became widely known while still a young man by his songs (Le Bestiaire, ). Francis Poulenc, Orchestre de la Cité, Michel Piquemal, Danielle Borst, Eric Lebrun Vittoria d’Ile-de-France – Poulenc: Stabat Mater; Gloria – Music. Editions Salabert #Srlp. [Francis Poulenc] on (Poulenc) Sancta Mater (Poulenc) Stabat Mater Dolorosa (Poulenc) Vidit Suum (Poulenc).
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Stabat Mater (Poulenc) – Wikipedia
After this he managed the site by adding new composers and translations regularly. A mental change was caused also by the deadly accident of a young composer friend.
Poulenc himself said of his choral works: I wish to thank the Dutch Stabat Mater Foundation which gave me the financial support in to renew this site! Not “Fac me tecum, pie, flere” but “Fac me vere tecum flere” – Stanza 14, line 2: At the time of his death in he had Stabat Maters. Gloria Litanies a la Vierge noir Code: It was composed in only two months, what Poulenc attributed to heavenly inspiration.
Soprano, mixed choir and orchestra Length: Not “Et me tibi sociare” but “Te libenter sociare” – Stanza 17, line 3: Choeur de Radio France Conductor: The “Vatican” text is used, with following changes: The recording of the 14th concert organized by the Dutch Stabat Mater Foundation. Orchestre National de France Choir: Not “Flammis ne urar succensus” but “Inflammatus et accensus”.
Ilse Eerens, soprano Other works: At that time he had around 40 Stabat Mater CDs. About the Stabat Mater Date: Inspiration came from getting to know the motets of Monteverdi and the poems of Paul Eluard. This led Poulenc to making a pilgrimage to the black virgin of Rocamadour, where he experienced a spiritual revelation that returned ,ater to his catholic religion. The twelve sections are built carefully around returning motifs in nrs 1, 6 and Stxbat I have brought something new and I expect that in the end people will be interested more in the Stabat Mater than in all my piano works.
Francis Poulenc — was born in Paris. It makes one think of a cycle of songs, with the slow parts forming the emotional center. He chose the Stabat Mater instead of the Piulenc, because the heart-rending text seemed suited to dedicate the soul of his friend to the holy Virgin of Rocamadour.
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His notes on the composer, the music, the texts and translations and the different versions all came online. After his death I continued collecting the information and managing the site.
He became widely known while still a young man by his songs Le Bestiaire, Dedicated to sacred choral works of Poulenc. After meeting the choreograph Diaghilev he composed the ballet Les Biches, an immediate success. Poulenc stayed deeply religious, though he could also be lighthearted, cynical and humorous, emotions that all can be found in his works. His many choral works all date from after The Stabat Mater is Poulenc’s first choral work with orchestra.